Photography News: What makes a good photographer? I’m a still life/ product shooter most of the time. Obviously, the answer to this question is going to depend very much on the type of photographer you want to be; being loud, brash and in-your-face might serve you well as a paparazzo, but it’s almost certainly going to result in early retirement if you’re a war photographer. Though all of my commercial and product photography work is set up and staged, a good portion of my personal portfolio – including reportage, portraits and to some extent, architecture – is entirely spontaneous. However, before examining those details – and I’m only going to write on the genres of photography I’m somewhat familiar with (please feel free to weigh in under the comments section if you have any further thoughts or experiences to share) – there are definitely some general traits that are beneficial to all photographers, and we’ll examine those first…..  […], […] Frequently asked, but rarely answered is the question of what makes a good photograph; rarely, if ever, asked is ‘what makes a goodphotographer?‘ In the first place, does it matter? Any one of us could wax both practical and philosophical over what makes a good– or even great– photo. The actual subject doesn't matter. I like the ability to plan in advance by visiting a potential site, watching the light early and late, and seeing the differences the seasons bring. It's the basic underlying composition that makes or breaks an image. http://www.theparisphotographer.com/what-makes-a-great-paris-photographer/, An Important Lessoned Learned, Indeed | Roger Branker, Shot Of The Year - Ger Roche Photography : Ger Roche Photography, http://andyslens.zenfolio.com/what-makes-a-good-picture, http://www.kenrockwell.com/tech/basics.htm, https://blog.mingthein.com/2013/02/09/what-makes-a-good-photographer/, Maybank Photo Awards 2013: a few tips for competition entrants… – Ming Thein | Photographer, miXed zone: tips for photographers, X-series reviews… and Happy Easter! If your image goes away as a thumbnail-sized image, it has no structure. When I look for photos, I'm looking for shapes and colors. It's not just another gray square. I support my growing family through this website, as crazy as it might seem. But, they understood the importance of doing that. The biggest help is when you use any of these links when you get anything, regardless of the country in which you live. Working fast means not missing the moment – even in situations with relatively static subjects (like, say, the trees and mountains in a landscape) you still need to move fast – take too long, and critical light changes and disappears very fast. I pay a lot of attention to my camera's position. This is where it’s crucial to learn about things like light and composition, since they have such a profound effect on the way your final result appears. Leaf shutters, stabilizers and bracing the camera against your face are about as good as it gets. Close one eye, and suddenly a scene, alive with trees, bushes, rocks and nature, collapses into a boring mass of crap. If you get the basics right, you will make great images with any camera. … Of course you can.

Connect with him on Facebook and Twitter, or check out his work at Guyer Photography. If you don’t have a reason to take the photo, it simply won’t exist. Never spend 20 minutes making multiple exposures unless you spent at least twice that much time looking for the best point of view. Details that don't add to the overall structure of the image make it weaker. In color, the color red takes charge and makes this shot successful. By keeping corners dark, it keeps our eyes from wandering off the edges. Once a photo has caught your attention, it needs to have details to keep the eyes interested. The following are also important qualities that can help make a good photographer: Creative, artistic, imaginative, and innovative. That's both paying attention to gesture, and gives us a punchline. It also makes travel and vacations much more exciting and interesting too. Here's another secret: in photographic art, it's never about the subject. Anyone can take pictures. I grinned at you last comment about film having just started trying it. As for the use of wides, the wider the lens, the more control you have over exaggerated perspectives; however, you now either have to get very close, and/or lose subject isolation through depth of field. The self-timer and mirror lockup can help too, as can various camera or lens-based stabilizers.

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