Desmond's style and tone shine with an alluring quality, and the record is filled with melodies that don't fail to stimulate the sophisticated jazz listener. Desmond was born Paul Emil Breitenfeld in San Francisco, California on 25th November 1924. Enjoy our Cool Jazz station filled with relaxed tempos and light tones. The arrangements are extraordinary throughout this collection, including the charming "Valentine," which begins with a fantastic Elizabethan flavor. Paul Desmond is widely recognized for his genius as a melodic improviser and as the benchmark of cool jazz sax players. The intro sets up the mood to carry Desmond into the first chorus, which then glides into a 20th century style. There are also reissues from A&M and CTI, though recordings on Artist House and Finesse remain regrettably out of print. Desmond is best known for his years with the Dave Brubeck Quartet (1959-1967) and his well-known composition "Take Five." His warm, elegant tone was one that he admittedly tried to make sound like a dry martini. Desmond played his loping, slow, ordered, and intricate solos in direct contrast to the pianist's obsession with large chords, creating a myriad of textures for melodic and rhythmic counterpoint unlike any heard in jazz. Desmond has always been most familiar to the jazz public for his sweeping scale passages and his seemingly effortless spontaneity during periods of improvisation, although here he is often featured in a more lyrical ballad style on such romantic tunes as "My Funny Valentine," "Late Lament," and "Then I'll Be Tired of You." That quote could apply to the man himself: he was urbane, witty, sophisticated, and the music he made was intoxicating. Desmond's recordings for RCA have gotten box-set treatment and Mosaic issued one of the complete sessions with Hall. Paul Desmond, Ron Cotty, and Joe Dodge], The Dave Brubeck Quartet Featuring Paul Desmond In Concert, Chet Baker, David Nadien, Lewis Eley, Harold Kohon, Herbert Sorkin, Emanuel Green, Jesse Levy, Paul Desmond, Bob James, Barry Finclair, Harry Glickman, George Ricci, Romeo Penque, Paul Gershman, Ron Carter, Max Ellen, Steve Gadd, Warren Lash & George Marge, Paul Desmond, Jim Hall, Connie Kay & Percy Heath. Paul Desmond. Plays a mixture of your very favorite, unmistakably Brazilian tracks. Paul Desmond (November 25, 1924 – May 30, 1977), born Paul Emil Breitenfeld, was a jazz alto saxophonist and composer born in San Francisco, best known for the work he did in the Dave Brubeck Quartet and for penning that group's greatest hit, "Take Five". This album is a highly innovative and meticulously crafted work, reflecting the ongoing success of both Desmond and Hall within the 1960s and the cool jazz period. ~ Thom Jurek. Jazz at Oberlin and Take Five were considered essential purchases by college students of the era, but Jazz Impressions of Japan was its most innovative recording. The record, filled with such beautiful jazz standards as "My Funny Valentine," "I've Got You Under My Skin," and "Body and Soul," is very rich in texture, yet subtle and mellow overall in mood. The Dave Brubeck Quartet featuring Paul Desmond, Pure Desmond (CTI Records 40th Anniversary Edition), Paul Desmond & the Modern Jazz Quartet (Live), The One I Love Belongs to Somebody Else (Remastered) - Single, She Was Too Good to Me (40th Anniversary Edition), Paul Desmond: The Best of the Complete RCA Victor Recordings, Jazz At College of the Pacific (Remastered) [Live] [feat. Desmond wrote their biggest hit, "Take Five". He was not only one of the most popular musicians to come out of the West Coast's "cool… This work is quite a plus for any listener and especially those who consider themselves avid fans of Paul Desmond. The legendary Jim Hall is featured as guest guitarist, playing yet another scintillating role and using his classic comping style. Desmond was influenced by Lester Young, but took it further, into melodic and harmonic worlds never before traveled by reedmen -- especially in the upper registers. Paul Desmond is widely recognized for his genius as a melodic improviser and as the benchmark of cool jazz sax players. He and Art Pepper were virtually the only alto players of their generation not directly influenced by Charlie Parker. He came to prominence with the Dave Brubeck Quartet, which lasted from 1951 until 1967. Hall is perhaps the most highly respected of all jazz guitarists for his good taste and witty inventiveness.

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