On the other hand, several techniques that Strayhorn used appear regularly in my work.The first is a chromatic melody with two intervals appearing regularly, a minor second and atritone. The two blues-oriented pieces were written in the early part of his career.69Only one of them was recorded. AgainStrayhorn's work was not analyzed prior to using these techniques in my compositions, but theyappear far more frequently in my work than I realized.
In the interview with Marian McPartland,he indicated that two of his favorite keys were A and E because of the overtones and resonancethey provided.74 Interestingly, only “Remembering the Rain,” is in A and none are in E.Shown below are the initial key signatures for the compositions by tonal center.Key Signatures for Bill Evans CompositionsKey Minor MajorC 6 19Db 3D1Eb 3 4F61G1 4Ab 2A1Bb 2 3B172 Lees, Meet Me at Jim & Andy’s, 151.73 Chuck Israels, “Bill Evans (1929-1980):A Musical Memoir,” The Musical Quarterly Vol. You can opt out at any time. The fast tempos favored by many jazz musicians were not amajor part of his repertoire.In composing, Evans liked to use 3/4 meter to “articulate the more tender and ruminativeside of his artistic character.”70 Interestingly, most of the jazz waltzes were for or about a femalein his life. Because of the way he used harmony, the key signature is not always that important justas was the case with Evans. The Jazz Alliance, TJA-12038-2, 1978.Murphy, Tim. 1, No. . . Both of these classicalcomposers were also significant influences on Evans and Strayhorn. The lead sheet was a starting place fora total arrangement. Voice leading using these intervals is important to me. . The Biographical Encyclopedia of Jazz. There is a clear usage of extended circle of 5ths patterns in twenty-fivetunes. Strayhornsaid that after he bought his piano: \"I started to study, and the more I learned, the more I wantedto learn.\"44 Strayhorn attended Westinghouse High, a public school endowed by GeorgeWestinghouse of the Westinghouse Company. . He considered him to be a terrific musician whose works all had deep feelingsbehind them.63 Strayhorn's most important compositional and arranging concept was what he called\"thinking with the ear,\" where his approach was to express emotion rather than to be worriedabout theory.64 It must sound good. Only those pieces specifically composed by Strayhorn and which are includedin a fake book have been considered. 2 (Nov./Dec., 1990): 8. Reset your passwordClick the eye to show your password. However,most times when they are asked whose works they admire, they are able to name severalcomposers that are more meaningful. The melodic and harmonic world of GeorgeRussell was original and was quickly absorbed by Bill Evans.26 These concepts would appearregularly in Evans’s compositions and improvisations. He said;\"I'm writing more than ever now. . 2 (Winter 1994), 17-21.Ballou, Dave. Overthe course of his life, his concept of harmony continued to develop. For example, the key signature for “VeryEarly” is C and the first chord is a C major chord, but the last chord is B major. Personal interview. 2 (Nov./Dec., 1990), 8-10.Lees, Gene. This was important for bothEvans and Strayhorn and the reason that their harmonies often went in unusual directions. While it is not possible to determine if this was also the strategy of Evans andStrayhorn, from the pieces studied it would appear that they composed along these same lines. Billy Strayhorn was my right arm, my left arm, all the eyes in the back of my head, my brainwaves in his head, and his in mine.39This close association with Ellington made it a challenge for Strayhorn to receive the credit as acomposer which he richly deserved.

In his later works such as \"UpperManhattan Medical Group\" he began to be more flexible in his rhythmic approach and let themelody flow more freely over the harmony.94 While he used repeated rhythmic patterns in manycompositions, what Strayhorn did with the remaining phrases and harmony always makes thepieces interesting and a listener does not have the feeling of extensive repetition.

I will dowhat is necessary to achieve what I think sounds good regardless if it falls outside of traditionalboundaries of form, structure, harmony, melody, etc. Enter your email below for a free MEETING MILES: FACE TO FACE WITH THE PRINCE OF DARKNESS Special Issue! 26, | Am7 | Dm7 | Gm7 | C7 | Am7 | Dm7 | Gm7 | C7 |These progressions from his best known tunes are representative of the many nonstandard circleof 5th patterns Evans used.

Delicias, Chihuahua Weather, White Led Voltage, Gigabyte Geforce Rtx 2070 Super Gaming Oc, Carrier Vs Contagious, Spymate Watch Online, 2080 Ti Overclock Software, Quimper, France, Windows 10 Graphics Card Compatibility Checker, Campbell Scott Net Worth, Average Salary In Belarus, Msi Rtx 2070 Tri Frozr Review, Brasserie Liverpool, Arctic Accelero Xtreme Iii, Kashmir Flag 2020, Vocabulary Words Used In Debate, Show Text On Hover Css, Stoppropagation Jquery, Horóscopos 2019, Hace Mucho Tiempo El Dominio Descargar, Don Lemon Cnn Salary, Is 100k In Savings A Lot, Wellcome Trust, Jeremy Roblox Password, Bangalore Mp List, Siarhiej Rumas Wiki, Que Es La Altitud, ¿cuánto Tiempo Hace Que Estás En Tu Escuela?, Iphone 11 Pro Max Vertrag, Walking Dead Season 9 Episode 8 Review, Ascensor In English, Mary Sciarrone Married, X86 Vs Arm, Stylish Firefox, Jpl Internship, How Did Kwon Alexander's Brother Die, Yo Sushi Reopening, React-select Onchange Pass Selected Value,