Under Roy Stryker, the Information Division of the FSA adopted a goal of "introducing America to Americans." Contemporary social documentary photography focuses upon social issues of the modern day. British photojournalist Don McCullin specialised in examining the underside of society, and his photographs have depicted the unemployed, downtrodden and the impoverished. His most famous works are the ‘How the Other Half Lives’ and ‘The Children of the Slums’ that depicted the dismay of the city life. They were the major contributors of this time capturing the horrors of American Civil War.

[5] Affected by his own experience of growing up poor in rural Puerto Rico, Rivera-Ortiz refers to his work as a celebration of life, in poverty. [8] Witness in Our Time traces the recent history of social documentary photography in the words of twenty-nine of the genre's best photographers, editors, and curators, showing how the profession remains vital, innovative, and committed to social change. The poor, the social outcasts, or lower classes are portrayed in compassionate observation. Documentary Photography in Social Welfare History 93 Photography and the Documentary Approach The advent of photography and documentary photography in 1839 were complimentary dimensions of the same invention. Another genre close to the procedures and results of social documentary photography can be found in the ethnographic photography that often documents people in precarious situations, however intending to document disappearing traditions, clothing or living conditions. It may also refer to a socially critical genre of photography dedicated to showing the life of underprivileged or disadvantaged people. The FSA hired photographers and writers to report and document the plight of poor farmers. Blog. Unable to add item to List. Riis' commitment to the people in the Mulberry Bend neighborhood led to its demolition. During the American Civil War in the 1850s, documentary photography became prominent with notable photographers Mathew Brady, Alexander Gardner, and Timothy O’Sullivan. Hine equally drew attention to the situation of immigrants. Roman Vishniac may be mentioned as a characteristic representative, who documented Jewish life in Eastern Europe prior to the Holocaust (Verschwundene Welt, A Vanished World)|. The movement therefore has some commonalities with the Socialist Realism used in certain Communist nations. The second edition includes a new section of interviews on documentary photography in the field and an exploration of the role of photojournalism in 21st-century media.

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