In his own inimitable and mild-mannered way, he had seemed immortal.

This remained true even in later years when, as he put it, he "appeared" rather than danced – every step caused him pain, but he still made himself walk out for his curtain call from the farthest upstage wing. Premio Internazionale "Gino Tani," Rome At the Cornish School. Lighting: James F. Ingalls, Views on Stage (2004) The "front and centre" spot traditionally coveted by soloists no longer exists in his works. First published on Mon 27 Jul 2009 20.30 BST. Décor: Andy Warhol (Silver Clouds) Music: Emanuel Dimas de Melo Pimenta, Short Waves & SBbr But he soon changed his field of studies to dance. And when I later saw it in a museum, I said, “That’s what it was!” I just remember the vivid shape—I’m sure I didn’t even know it was a nude. What are your favorite books now? Mind you, I would not have known anything about any of this. But when I heard him say it, he did so with a gentle laugh that asked us not to feel sorry for him. Merce Cunningham, 1981. Music: John King, blues 99


Suite by Chance (1953) was his first work made entirely through chance procedures. Many dancers who trained with Cunningham formed their own companies. The final performance of the Merce Cunningham Dance Company was on December 31, 2011, at the Park Avenue Armory in New York City. Cage’s sphere became Cunningham’s. This was the first of what came to be known as Cunningham's "chance ballets", Sixteen Dances for Soloist and Company of Three (1951). I was Yepikhodov, I think. Twenty years old?—and it doesn’t sound dated. Pelosi to Test How Badly Trump Wants His Signature on More Stimulus Checks. In 1964 the Cunningham Dance Foundation was established to support his work. Unfortunately, not every quarantine romance can stand the test of time. He was a dance-maker, a fierce collaborator, a chance taker, a boundless innovator, a film producer, and a teacher. Right. Music: Mikel Rouse, International Cloud Atlas What movies did you like besides Astaire’s? Laurence Olivier Award for Best New Dance Production (Pictures), London, England He counted Martha Graham as one of his key influences American dancer and choreographer Martha Graham had an extraordinary influence on the evolution of the visual arts scene during the early 20th century – her eponymous technique fundamentally changed the way dance was taught around the world – so it makes sense that she came to represent a significant figure for Cunningham too. Algur H. Meadows Award for Excellence in the Arts, Southern Methodist University, Dallas TX, 1985 Grand Prix of the Société des Auteurs et Compositeurs Dramatiques, France, 1996

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