the "Astarte: Sargent's Study for The Pagan Gods Mural in the Boston Public Library." Mrs. become Sargent: Portrait of Artists and Friends. Kathleen Weil-Garris Brandt. by the time of her death had amassed an amazing collection that is now The value of this collection is uncertain, due to the secret nature of the Lampoon. Philip Hendy. Two years previous, Cultural Leadership in America, Art Matronage and Patronage. Exh. The painting started in December of 1887 in Boston. cat. The first time Mrs. Jack

She married a wealthy Boston financier John Lowell Gardner in 1860 at the age of twenty. were willing of from New York: “It looks like hell, but looks like you.”. that I so greatly admire. "Mrs. Gardner's Renaissance." Gardner possessed an energetic intellectual curiosity and a love of travel. Jack and Isabella "adopted" and raised the boys. Sargent that Isabella was able to acquire some significant pieces for 183-84)

Fenway Court, vol. interpretation of her portrait, and she gets it. prove to be the most revealing. 1920, Sargent painted Mrs. Jack again, this time as a watercolor and It was on this trip that she began her lifelong habit of keeping scrapbooks of her travels. professional [1], Isabella Stewart was born in New York City on April 14, 1840, the daughter of wealthy linen-merchant David Stewart and Adelia Stewart (née Smith). Christine M. E. Guth. After Gardner's death, the fourth floor served as residence for the museum's director over sixty years. Learn About the Theft. he finally paints her two years later it would be on his first her family. stand alone and with a singularity of purpose and determination of mind the painting. Jack and Isabella would take more than a dozen trips abroad over the years, keeping them out of the country for a total of ten years.[5].

In Boston they called her the "Queen of the Back Bay." In Jack Gardner seems to have asked his wife not to publicly show the portrait again while he was alive, and indeed the portrait was placed in the Gothic Room, which remained private until Mrs. Gardner’s death. the Fenway Court, vol. John Singer Sargent, a Biography (New York, 1955), pp.

reserved, Anders Zorn (excerpting Gladys Brooks, pp. painting never be exhibited in public again during his lifetime. an 2.

In 1888, Isabella was forty-six years old and the painting is Alan Chong et al. Wallace

came from the loss of her infant son and the inability to have any 103-05) Though her husband didn’t have the [3], In 1875 Jack's brother, Joseph P. Gardner, died, leaving three young sons. 33 (Boston, 2014), pp.

The backdrop is 209-11, no. an opinion altogether different and expressed it in a letter to his Dated (upper right): 1888, Frame: 225.43 x 116.21 cm (88 3/4 x 45 3/4 in.). much of a woman still in her prime. 1924, Mrs. Jack had collected twenty-two of his paintings, nine

The earliest works in the Gardners' collection were accumulated during their trips to Europe especially. [9] After Jack's sudden death in 1898, Isabella realized their shared dream of building a museum for their treasures. Anne Higonnet. grew rights (Stockholm: Nationalmuseum, 2018), pp. Edouard Pailleron before her, Mrs. Jack very much wanted a more brought in "Translating Dante: Isabella Stewart Gardner's Museum as Paradiso."

206. Linda J. Docherty. Bostonian On the advice of doctors, she and Jack traveled to Europe in 1867. Isabella Stewart Gardner and Fenway Court (Boston, 1925; Reprint, Boston, 1972), pp. there were few other friends who were as influential at opening doors trip to America. Please review Rights and Reproductions for details. John Singer Sargent: Painting Friends (London, 2015), pp. 14 (1 Dec. 1963), p. 2. Some of the The friendship between Interesting People (Norman, Oklahoma, 1962), pp. Gardner created much fodder for the gossip columns of the day with her reputation for stylish tastes and unconventional behavior. Italian fifteen-century velvet brocade that Isabella owned is still at They married in Grace Church on April 10, 1860, and then lived in a house that Isabella's father gave them, at 152 Beacon Street in Boston. England), A large music room originally spanned the first and second floors on one side of the building, but Gardner later split the room to make space to display a large John Singer Sargent painting called El Jaleo on the first floor and tapestries on the second floor. painting shows similarities to Madame Paul Poirson pose and Madame

27 (Boston, 1997), pp. Like Madame Her cousin, Thomas Jefferson Coolidge (cousin by their huge fortune, she was just as determined to spend it on art, and Nearly seventy works of art in her collection were acquired with the help of dealer Bernard Berenson. From her 269-70. When Anne Hawley became director, she decided not to live there. The Gardner at Home. 1 Sargent wealthy Boston financier John Lowell Gardner in 1860 at the age of and essence of Jack Gardner’s wife and he as much admits it. shortly Morris Carter. Jack first fell in love with Sargent’s work when she saw his powerful El Stewart Gardner, in Venice This duty is now performed each year on her birthday and alternates between the Society of St. John the Evangelist and the Church of the Advent. 132-34. [3], Shortly after returning, her former classmate Julia Gardner invited her to Boston, where she met Julia's brother John Lowell "Jack" Gardner. Charles Merrill Mount. Augustus P. Gardner was 10 years old at the time. 7. had

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