1:23 Over this chord, the line is more strikingly dissonant.

The ostinato becomes a more engaging riff, forming a four-bar pattern. There's a problem loading this menu at the moment. Mehr als 1.100.000 CDs, DVDs, Vinyls, LPs, Games & Technikartikel seit 1991 bei Grooves Inc. kaufen, Kostenlose Lieferung RECORDING GEORGE RUSSELL Concerto For Billy The Kid 1956 N Featured musicians. Miles Davis. A'1:29As the chord progression begins over again, the piano melody continues to dance above the harmonies. 0:10 The horns become stuck on a dissonant interval--the major second, or whole step. Listen online to George Russell Smalltet - Concerto for Billy the Kid (feat. Sorry, there was a problem saving your cookie preferences. Recording george russell concerto for billy the kid. 4:37 The guitar begins a final upward flurry. Scott LaFaro, Paul Motian) Lyrics, Miles Davis, John Coltrane, Bill Evans - It Ain`t Necessarily So Lyrics, Bill Evans - Come Rain Or Come Shine Lyrics, Chet Baker, Bill Evans - How High The Moon Lyrics, Tony Scott, Bill Evans, Sahib Shihab, Clark Terry - Blues For Three Horns Lyrics, Tony Scott, Bill Evans, Sahib Shihab, Clark Terry - Just One Of Those Things Lyrics, Tony Scott, Bill Evans, Sahib Shihab, Clark Terry - There Will Never Be Another You Lyrics, Bill Evans - Quiet Now (Live Ver.) Concerto For Billy The Kid - Bill Evans, George Russel And His Smalltet | Nghe nhạc hay online mới nhất chất lượng cao

We use cookies and similar tools to enhance your shopping experience, to provide our services, understand how customers use our services so we can make improvements, and display ads. From the 1950s to the 1970s, Gil Evans had a long working relationship with. Your recently viewed items and featured recommendations, Select the department you want to search in.

A3:38The pianist switches to a series of bluesy gestures. Check out Concerto for Billy the Kid by Bill Evans on Amazon Music. Underneath it, the bass begins to move away from its own ostinato into a rising bass line. modal … Scrobble songs and get … (This bass line will remain in place for most of the introduction.). Against this ostinato, the piano and guitar improvise their own countermelodies.

Art Farmer, trumpet; Hal McKusick, alto saxophone; Bill Evans, piano; Barry Galbraith, guitar; Milt Hinton, bass: Paul Motian, drums. 0:00 The drums begin by playing with a Latin feeling: a syncopated rhythm on the cymbals alternates … The piano improvises for four bars in a single melodic line. 0:12 The bass enters, doubled by piano, repeating two notes a half-step apart. 2:32 The band signals the next chord with a single, sharp gesture.

Underneath, the piano plays a montuno--a syncopated chordal pattern typically found in Latin accompaniments, locking into the asymmetrical bass line.
0:00 The drums begin by playing with a Latin feeling: a syncopated rhythm on the cymbals alternates with the bass drum on the main beats and the snare drum on the backbeat.

4:32 As the bass drops out, the saxophone and trumpet (with the electric guitar) return to ideas from the beginning of the introduction. A3:56 We suddenly return to a new chorus, a full five bars into the opening section. Kaufe Emergence CD von Bill Evans für 13,94 EUR versandkostenfrei.

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