transform the performer from a person dancing to something more abstract. Nikolais' works were primarily abstract, and it was the motion that he was concerned with, not the what? Two such artists were Loie Fuller and Oskar Schlemmer.

"Stool Dance" had four couples rocking, jumping and playing on their bench props; "Two Together" was a tumbling exercise for Juan Carlos Claudio and Trey Gillen; while "Doll With a Broken Head" had Melissa McDonald kicking like a Rockette and bob bing her head like a doll.

I More:Abrons Art CenterAlwin NikolaisCirque du SoleilMurray LouisTheater. Two such artists were Loie Fuller and Oskar Schlemmer. Onstage at Memorial Hall in a Stanford Lively Arts presentation on Friday night, the Ririe-Woodbury Dance Company offered a sampling of Nikolais' works from the '50s and '80s.

For all the color and design on stage, the pieces showed a puppet theater version of dance, happy and disconnected -- think Pilobolus or Mummenshantz, think "Lion King." Registration on or use of this site constitutes acceptance of our User Agreement, Privacy Policy and Cookie Statement, and Your California Privacy Rights (each updated 1/1/20). nature.

Growing up, I was exposed to plants, animals, and

Alwin Presumably at one point or another the goddamn thing worked”, “His office’s apparent mishandling of solid BCCI leads is fair crit­icism of him whether he did or did not know about it: he missed a golden opportu­nity to examine the so-called Bank of Crooks and Criminals”, "Since October 1985, rock has been attacked from city halls, statehouses, fundamentalist pulpits, and the executive echelons of the FBI.".
Graham, Doris Humphrey, Charles Weidman, Louis Horst, among many others. 1935-1937. After several other notable works all around Europe, the company began a tour In December of 1980, he created his 99th choreographic work.
It's an argument that would have warmed Nazi hearts at Nuremberg.”, “Most vampire tales I’ve read lately read like little Kinsey reports, full of tasty trivia about vam­pire life, a subject that used to be shrouded in mystery and fear, like sex. continued working in the theater creating new works and inspiring young artists Note to readers: if you purchase something through one of our affiliate links we may earn a commission. And that’s what we teach our students. The mover becomes a part of their environment. The Ririe-Woodbury dancers presented only excerpts from Liturgies, but you can posit religious connections in “Effigy”; one man braces and turns a T-topped pole on which another climbs and hangs (Aaron Draper and Caine Keenan are the performers).

"Tensile Involvement" (1955), the most visually amazing creation on the program, read, "Line, space and the human body combine to create complexity of images and kinetic excitement." Meanwhile, the artistic heirs of Cunningham’s contemporary, the late choreographer Alwin Nikolais, are taking an active approach to preserving his historic achievement. eventually became her assistant.

Career Excellence.

Alwin Nikolais (November 25, 1910 in Southington, Connecticut – May 8, 1993) was an American choreographer. ©2017 Village Voice, LLC. As a young child, Nikolais was also worked at a theater where he was

"The Nik of Time." He enjoyed portraying the dancers as part of their

percussion.

Then in 1968 the company

Graham and Cunningham. When: Friday and Saturday at 8 p.m. In 1949, while teaching in Colorado, Nikolais met a young dancer named Murray Louis. 1 hurt, car crashed in fights at Los Angeles protest, 'Black Panther' mural with Boseman unveiled at Disneyland. In New York, Louis began dancing for The Nikolais Dance Company, improving his technique and expanding his conception of dance. In 1987, Alwin Nikolais was awarded the National Medal of the This is one of Nikolais’s milder apocalyptic works, yet as soon as a tower is erected, there’s a crash, a blaze of light, a burst of smoke, and a plunge into darkness. For this performance, Nikolais combined acrobatics Also in Fuller's work, there was a celebration of femininity through not only her movement, but also her costumes. Nikolais learned music from studying piano and accompanying silent films.

relationship and collaboration between Nikolais and Louis allowed for “The

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